By Lucia Athanassaki,Ewen Lyall Bowie
This publication addresses the various interlocking difficulties in figuring out the modes of functionality, dissemination, and transmission of Greek poetry of the 7th to the 5th centuries BC whose first performers have been a choral staff, occasionally making a song in a ritual context, occasionally in additional secular celebrations of victories in aggressive video games. It explores the various methods the sort of team offered itself and used to be perceived by means of its audiences; where of tyrants, of different favorite contributors and of groups in commissioning and investment choral performances and in securing the additional stream of the songs' texts and song; the social and political function of choral songs and the level to which such songs persisted to be played either in and out the instant kinfolk and polis-community, no matter if chorally or in archaic Greece's vital cultural engine, the elite male symposium, with the final result that Athenian theatre audiences may be anticipated to understand allusion to or transforming of such poetic types in tragedy and comedy; and the way a number of different types of functionality contributed to transmission of written texts of the poems till they have been accumulated and edited via Alexandrian students within the 3rd and moment centuries BC.
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First released in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Extra resources for Archaic and Classical Choral Song: Performance, Politics and Dissemination (Trends in Classics - Supplementary Volumes)
Archaic and Classical Choral Song: Performance, Politics and Dissemination (Trends in Classics - Supplementary Volumes) by Lucia Athanassaki,Ewen Lyall Bowie